After our tutorial, it was decided that the work needed more direction. As it was, the 1.50 of the work so far sounded more like a messy collection of recordings. It lacked any narrative and didn't serve well as a representation of a space. It was thought that the use of a voice over would add enough of a thread and be used to lead the listener through the journey of a passenger.
The first picture below is a script we wrote that would be recorded as a voice over, this would then be edited to make it sound like the thoughts of the passenger, hence its broken and minimal nature. Below the script in the same picture is the list of crucial recordings we needed the second time we went to the station, many of which we had previously captured, however armed with the riffle mic we planned to record them for a second time, only with the ability to get far more detail.
The second picture is a revised time line, here we've taken into account the voice over and structured it accordingly, its this copy that we will use as a guide when it comes to editing in Sound Track Pro.
The first picture below is a script we wrote that would be recorded as a voice over, this would then be edited to make it sound like the thoughts of the passenger, hence its broken and minimal nature. Below the script in the same picture is the list of crucial recordings we needed the second time we went to the station, many of which we had previously captured, however armed with the riffle mic we planned to record them for a second time, only with the ability to get far more detail.
The second picture is a revised time line, here we've taken into account the voice over and structured it accordingly, its this copy that we will use as a guide when it comes to editing in Sound Track Pro.
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