As neither me or George had been to Edale before, although the research had been useful, we still had to use a bit of guess work when coming up with a shot list. The following are just starting points on which to elaborate when actually there and able to see what we had to work with.
Long Shots:
Shots of the natural landscape, the hills, fields, far away villages/grouped houses. Both with and without our character moving through them.
Mid shots:
Character moving through a verity of scenes (Progressing further into wilderness). Streams, woodland, country lanes, wildlife
Close up's & extreme close up's:
(For use as inserts) Stone walls, foliage, water or any interesting natural textures.
Two shots that we know we would want to capture were a couple of over the shoulder perspectives, looking firstly up at the hills and then secondly a similar shot, looking back down from atop a hill at the village our character has traveled from. These will be our opening and closing shots, used to express the idea of a journey.
Long Shots:
Shots of the natural landscape, the hills, fields, far away villages/grouped houses. Both with and without our character moving through them.
Mid shots:
Character moving through a verity of scenes (Progressing further into wilderness). Streams, woodland, country lanes, wildlife
Close up's & extreme close up's:
(For use as inserts) Stone walls, foliage, water or any interesting natural textures.
Two shots that we know we would want to capture were a couple of over the shoulder perspectives, looking firstly up at the hills and then secondly a similar shot, looking back down from atop a hill at the village our character has traveled from. These will be our opening and closing shots, used to express the idea of a journey.
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